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WARNING: TEST YOUR EMOTIONS BEFORE PROCEEDING

Emotion is reshaping reality in the postmodern world. Are your emotions an asset or a liability to the future church? Find out by answering the following questions:

Do your emotions encourage faith rather than discourage faith?

Do your passions expand toward something larger than you?

Do you rejoice solely in what the Spirit likes and scorn only what the Spirit rejects?

Do your feelings reflect a wondrously vicarious, "not-me" quality?

Are your feelings relatively free of external circumstances?

Are your feelings more faithful than fickle?

Are your emotions selfless rather than selfish?

Do your emotions reflect humility rather than merely pride in your humility?

Do passions strengthen you rather than exert power over you?

Do emotions release your life rather than rule your life?

Do your feelings transcend the selfish manipulation of others?

Do you feel like a victor rather than a victim?

Do your pent-up passions build God’s kingdom rather than tearing it down?

Does your joy recall a taste of bitter in its sweetness? Does your grief contain seeds of hope? Does your passion, in other words, reveal paradox?

Do your feelings prompt repentance rather than simply regret for being found out?

Do your emotions bring a "wisdom of the heart" that both "sees" and "feels"? Do you sense meanings rather than just feelings?

If you answered "yes" to most of the above questions, you are ready to lead the church into the future. For more insight on how emotion plays a role in the future, read the following:

A New Veracity

The world is feeling its way toward a "felt knowing." Starting in the ‘60s, "love" warred against "progress," and the same battle persists today. Right or wrong, the favored medium of religious experience, for example, prefers feeling God’s presence—not merely reasoning the Word.1

We’ve always chased the eternal virtues of "truth, goodness, and beauty." But to all but the most faithful, postmodernists have virtually wiped out truth and goodness. So beauty—or "felt meaning"—remains our best hope . . . our probing purpose . . . our primary quest.

As a result, we prefer perceptions to conceptions . . . sensory knowing to sensible knowing . . . subjective intimacy to objective intangibles. We value intuited proof more than empirical proof . . . sensed logic more than sure logic . . . seen keenness more than cerebral certainties.

In short, we welcome the nonrational workings of the Holy Spirit and the redemptive glory these workings bring.

This change is not a mere style nor a trendy add-on. It’s not something warmed over from the past nor reinvented. We are not once again "getting religion," for example. Nor are we returning to an old Romanticism with its primitive feelings, melancholy moods, and sick illusions.

Instead, the body—with its feelings, senses, and emotions—more and more provides the veracity of reality once ruled by enlightened logic. Scholars already proclaim, "Emotion lies at the very root of civilization" and remains "central to the issues of modern times"2 . . . that "Emotions, not IQ, may be the true measure of human intelligence"3 . . . and that "Emotion is central to the process of rational thought."4

Now, we question even rational thought. For aesthetics—or feeling beauty—typifies the new apologetics . . . the new proof of Truth.

On this journey, we will change as well. We will feel differently, sense differently. Our emotions and feelings will become bridges between spirit and mind. And the mystic interplay of these "felt knowings" will hearken to something "not there" . . . something beyond us . . . something unseen. Then, in a perceived beauty, God’s empowered passion can claim us . . . transform us . . . even heal us.

The Invasion of the Cyborgs

Technology is no innocent bystander. Personal computers are getting "personal" and will get more "personal" than we can possibly imagine. For the digital world requires feeling phenomena. It requires a supremely sensuous, multisensory world.

A "graphic interface," for example, is part of that world. The visual metaphors—or "icons"—on the computer screen take on meaning far beyond their eye appeal. In fact, they create a virtual "space," immersing us in the images of a new landscape. Most of today’s high-tech terms, for example, trace to this virtual world: "cyberspace," "windows," "desktops," "surfing," "navigating," "webs," "chat rooms," "dragging," "dropping". . . .

And these metaphors are not mere clichés. Nor are computers mere exalted typewriters that mechanically extend the power and reach of our fingers. Instead, these new images open to real environments . . . real spaces to be explored. We can project our senses into this world, "bump" into things, even get lost. These are "landscapes" in the truest sense of the word.

But a graphic interface is only the beginning. This virtual realm is only a glimpse of a new medium in its infancy. Future interfaces will involve all senses . . . all gestures. By the end of the century, this new environment . . . this new world may prove more real than reality itself.

The wedding of senses and sciences began in earnest with ‘60s television. Today, we not only "see" the image on the screen, we also "feel" we are seeing it. We find its "content" through our experience and its "meaning" through our response. The computer only expands these conspiring trends. It blends the scientific with the sensuous, technology with touch, and the Internet with intimacy. In short, it morphs us more and more into "cyborgs"—blending cyb(ernetics) with our org(anism).

We see this change specially in the youth. They already know visceral images in their movies, videos, and CD’s that boldly merge spirit and body . . . mind and emotion. Now, their high-tech "rave" culture, with its primitive spirituality, throws open the gates to ecstatic dancing, techno music, and visionary unity. And the same ecstasy inspires their online virtual reality as well.

Whether young or old, virtual reality is the power behind sensuous technologies. Virtual reality, or "VR," is simply the realistic simulation—or metaphor—of reality. In other words, it looks real, but isn’t real. Yet, when combined with prophetic faith, it speaks powerfully "of nonexistent things . . . as if they [already] existed."5 Then, suddenly, what it points to becomes real.

An airplane pilot training in a flight simulator knows an environment so real that "crashing" his plane causes a life-changing experience. Virtual realities pointing to spiritual Truths, though, cause even more potent changes. In the near future, the world will discover virtual realities impelled with supernatural intentions.

This should not surprise us. All art is virtual reality. All art reflects something "not there." All art conveys a message. And VR’s endless sensory expression will certainly provide more depth than any previous art.

Already, virtual reality is the domain of tech/artists—cyber geeks who create new recipes of technology and art: videos, computer graphics, holography. . . . Not since the discovery of painted perspective during the Renaissance have technicians so miraculously transformed the spatial imagination.

Even the global economy is indebted to the new aesthetics of creativity, for innovations—not possible without emotions—drive today’s businesses. We’ve always known that intuitive visions and inspired feelings deeply require each other. And now, the profit motive only deepens that bond. Amy Lowell wrote, for example, "Whatever (creativity) is, emotion, apprehended or hidden, is a part of it." For "Only emotion can rouse the subconscious into action."

So virtual reality is the language of the future . . . prophetic metaphor is the power within virtual reality . . . and emotion is the power within metaphor. VR and prophetic passions will doubtless walk hand in hand. The art form of the future will alter everything we’ve known about the life and language of the past.

"Intuition depends . . . on (both) feelings and metaphor."6

"Sweet" Music

Must we apologize for lifting "feeling" to the level of "knowing"? Must we hedge our bet for claiming "thinking" from some kind of "felt-meaning"?

No! The facts suggest neither apology nor timidity.

First, "Mind and body (or feelings) are so intermingled that it is pointless to separate them, even in theory."7 There is no experience devoid of emotional content. There is nothing ever really neutral. That’s the reason Eugene Gendlin created the phrase, "felt meaning," to describe the way we really think.

After all, the very meaning of "experience" includes "the totality of knowing given by the senses." In other words, experience includes a personal encounter at every level of perception. Honest minds can actually see a shift from ideas to imagery. Often, what begins as abstract thought turns quickly to hidden personal drama.

We’ve seen even infants making sense out of sensory TV. In the same way, "comics" stand as the world’s most widely read literature.8 Why? The very meaning of "language" includes "expressing feeling," and visual feeling remains the language of the world.

Yet, feelings are more than visual. All senses create their own feelings. Usually, though, we focus only on feelings . . . often, without the senses. We easily picture "blue," for example, without seeing. We naturally taste a pickle without eating. We often "leap for joy" without moving. And we imagine sounds without hearing.

Still more secret, feelings can reflect several senses at a time. They can easily translate from one mode to another. The texture of music, for example, may feel "thin" to our intuitive "touch." Its color may appear "dark" to our inner eyes. And its melody may savor "sweet" to our innate taste.

Finally, though, the "mother of all metaphors" compounds several emotions in one moment. We feel an unexplained joy, for example, in our sorrow. We see the slow motion of history in our haste. Or, we endure an aching loneliness in our busy crowd.

These mood mixtures . . . these felt meanings are usually unawakened. And their emerging awareness is, at first, fathomless. But these feelings are universally true, and their messages bear universal Truth.

The "Significance" of Life

Emotion "thinks" more than we think it does. The Greek poet Simonides proved visual memory more reliable than textual memory. The psychologist Eugene Gendlin suggested sensory "thinking" more accurate than the mind. And Albert Einstein witnessed rapture more often than reason.

Why? Because feelings claim an awareness beyond either "induction" or "deduction." They teach, instead, by "abduction." Unlike the mind, we can’t argue with feelings or dismiss them with propositions. Instead, they capture us! They won’t let us go.

"Objective" minds must be honest here. We actually measure significance by emotion. Everything we do, we do in order that we may feel . . . or more to the point, that we may feel its significance. For without feeling, nothing matters. Our reality is personal . . . it is felt. And the relevance of reality is even more personal . . . it is even more felt.

That’s why the real world of language requires emotion . . . and interaction. Language is a "doing" as well as a labeling. It requires both body and mind. It conveys our "point of being" as well as our "point of view." For it shares a rich bond of events, objects, and people. It expresses who we are as well as who "they" are.

Take humor as example: Laughter reveals our inner motives. We easily discern joyful laughter, vicious laughter, mocking laughter, shamed laughter, spiteful laughter, and so on. In this gleeful lingo, nonverbal sound is the language, laughter is the medium, and comedy the context.

"To imagine a language is to imagine a way of life." (Wittgenstein)

A Different Kind of School

Emotion is sacred as well as secular. It is intrinsic, for example, to the world of Scripture—an emotional world we’ve never really known. Contrary to traditional churches, faith is much more than an idea. Scripture survives as a living language only because it has refused the weight of mere ideas.

Scripture does not repress our desires or ignore our feelings. It does not lend itself to precise definitions or dispassionate readings. It serves neither apologies for scholars nor propaganda for priests.

To understand Scripture, we must attend a different school. Hebrew "words" emerged first from the body . . . from visceral feelings . . . from the intuitive heart rather than the logical mind. That’s why they even talked of "dancing" with Scripture. To them, the "Word" was a living, aesthetic event.

The son of Sirach wrote, for example, "I sought wisdom . . . (and) She came to me in her beauty."9

Jeremiah even called schools of religion "deceptive." Countering their trickle-down truth, he proclaimed a "new covenant" written on the heart.10 For he believed intuition and passion commune with the Holy Spirit. And they still do.

Yes, revelation is rational. But it is much more than that.

Consider the teaching of Paul. His message focused on real events in real lives. His challenge was provocative and spontaneous. Everything he wrote bore the marks of his personality. He was "pleading, strident, exasperated, affectionate, urgent, reflective, passionate, and at times, impatient."11 Whatever else occurred to his converts, he insisted that the experience of the Spirit was essential.12

He required vigorous involvement of the heart as well as the mind.

The rediscovery of this truth is an incredible find. If we understand the ancient role of emotion in prophetic revelation, we finally understand the divine intentions of language in the coming world.

"I am He Who searches . . . feelings . . . and the [inmost] hearts, and I will give to each of you [the reward for what you have done] as your work deserves."13

A Death Wish?

But what will we deserve?

Will we deserve the rewards of just knee-jerk human nature? Will we ascend with mere pie-in-the-sky passions? Will we aspire with simple garden-variety emotions?

Even if our goals are noble . . . romantic . . . poetic, can anything good come from base flesh and blood urges. Even if we are "religious," can we trust sentimental proofs of manifest Spirit? Can we rely on emotional "kicks" as a guarantee of spirituality? Can we wallow in full sensory immersion and call it "Spirit-led"?

Isaiah called these do-your-own-thing mysticisms "self-made fires."14 The book of Wisdom branded them "spiritual fornications."15 And Jesus later explained why: "Flesh gives birth to flesh."16

So emotion sins as much as it saves. It distorts as much as it discloses. And it lies as much as it verifies. We don’t really know if our passion is God’s power or our power . . . Spirit led or lying manipulation . . . unselfish or selfish . . . faith or flesh . . . eternal or temporal.

What, then, must we do? As we leap into postmodern emotionalism, where is the veracity of our sense experience? Where are the definitions? What are the guidelines? What are the cautions?

Are we courting disaster? Is this new world of subjective "feelings" a death wish?

A Different Sensing

Gratefully, Scripture helps here. It speaks endlessly of a different "seeing" . . . a different sensing. Yet, the blindness of our ethos has missed the message.

Notice.

Some emotions respond only to Spirit. Some feelings relate only to God. Some moods mediate only with Truth. These are vicarious, "not-us" emotions. They rejoice solely in what the Spirit likes and scorn only what the Spirit rejects.

With these emotions, the Spirit witnesses to spirit. The Word becomes flesh. The numinous becomes incarnate. Then, the radically extraordinary forms within the ordinary. And the supernatural infuses the merely exemplary.

It’s an ecstatic communion.

We recognize these emotions as a "knowing" emotion . . . a "felt" meaning. It is a "wisdom of the heart" that precedes reasoned understanding and finally stirs us to decision. It yields light with its heat . . . revelation with its warmth . . . insight with its inspiration. In the words of Henry James, it both "sees" and feels, while normal emotions merely feel without seeing.17

These feelings "see" Truth even when it’s hidden behind enigma and paradox. Spiritual joy, for example, always recalls a taste of bitter in its sweetness, for it triumphs only in what was overcome. And "Godly grief . . . never brings regret," for it always hides a seed of hope.18

Again, these are "felt" meanings. By comparison, we’re never compelled to ask what natural emotions mean. Only spiritual emotions bring urgency to this question.

That’s why Carl Jung claimed that these moods are a deeper and more moving experience than normal human passion. For spiritual emotions are empowered passions . . . quickening influences . . . impelling forces. By analogy, only muscles move us when we exercise the natural body, but hidden powers propel the ecstatic dancer.

Spiritual emotions, then, run counter to the world. Indeed, they are dangerous to the world. They are the only emotions, Paul Tillich found, that reflect both "infinite passion and passion for the infinite."

"Spirit gives birth to spirit." John 3:6, NIV

A Different Discernment

We must learn to recognize these differences.

Day in and day out, we can discern natural emotions because they’re selfish. They begin and end with self-interest, self-centeredness, self-preservation, self-pleasure. . . . They may "look good"—even altruistic!—and they may feel snug and secure in the warm embrace of religion. But the needs of the self remain their primary purpose.

Pride proves the most obvious example, even among the "pillars of the church." It calls the things of God its own. My doctrine! My church! My pew! It’s even proud of its own humility. That’s why Jonathan Edwards called it "ostentatious hypocrisy." And St. Paul called it "fleshly conceit."19

Natural emotions are also easily manipulated. Random incidents demand our response. Daily events oversee our obsessions. Sly leaders push our buttons. By definition, flesh and blood feelings must instinctively respond "to factors outside the individual—circumstances in (the) environment."20

It’s called tunnel vision . . . a narrow context. Fleeting . . . fickle . . . and futile.

Worst of all, natural emotions never affect true repentance or authentic change. For no effort of our natural instincts can redeem the darkened human soul. We may "improve" ourselves . . . even control our passions . . . or grow evermore refined. But beneath these cosmetics we remain the same.

Finally, not all "spirit-inspired" emotion is godly. Some of it is demonic! Seraph and snake abide side by side in the realm of the spirit, so a "move of the spirit" may not be a good thing. Some moods are maladies. Some passions are polluted. Some sentiments are sinister.

They deceive and destroy.

It matters not whether we accept the reality of evil. Ignoring demonic emotions is like trying to erase our shadow.

<<<>>>

In summary, emotions take part in the way we know. Life, after all, is bigger than logic. And, at this precipitous moment, the future demands discerning the difference between natural, spiritual, and demonic desires. For this purpose, I call the reader’s attention to my book, I Felt God . . . I Think: Authentic Passion in the 21st Century.21

Yes, we will always need faith. But faith and emotion walk closely together. "Faith is the assurance (that is, the heartfelt encouragement) . . . of things [we] hope for." It is "the conviction (that is, the fervent belief) of their reality."22

A new language emerges out of the ashes of modernism. A new reality rides with waves of emotion. Though brushed aside by church historians, theologians and mainstream Christendom, our feelings will soon be endowed with intentions and powers of decision. Truly, the creative future and our prophetic passions will merge.

Let us reclaim the power of our passion. Spiritual emotion cannot be kept in its "proper place" any longer. Its place is pervasive. And it will prove a far more potent language of salvation than the barren Greek rhetoric of the past.

Yes, emotions seem dangerous to some. For the fear of chaos threatens our world of exactness and control. What science calls the "psyche," as example, is merely a question-mark we defensively confine within the skull. In truth, it is a door that opens upon the human world from a world beyond.23

"Why is one day more important than another, when it is the sun that lights up every day?" Sirach 33:7

© 2010 Thomas Hohstadt

ENDNOTES

1. Wade Clark Roof, "God is in the details: Reflections on Religion’s Public Presence in the United States in the Mid-1990's," a speech to the Association for the Sociology of Religion, Washington, Summer 1996.

2. "Human Emotion," The New Encyclopædia Britannica (Chicago: Encyclopædia Britannica, 1994) 15th Edition, Volume 18, pp. 248-256.

3. Daniel Goleman, Emotional Intelligence (New York: Bantam, 1995).

4. Antonio R. Damasio, Descartes’ Error: Emotion, Reason, and the Human Brain (New York: Grosset/Putnam, 1994) pp. 48, 49, 159, 160, 234.

5. Romans 4:17, Isaiah 46:10; AMP.

6. Frank Barron, OMNI, April, ‘89, p. 44.

7. Derrick de Kerckhove, The Skin of Culture (Toronto: Somerville House Publishing, 1995) p. 156 (The parentheses are mine).

8. Tony Whittaker, editor, WEB EVANGELISM BULLETIN Issue 23 December 2000, http://www.gospelcom.net/guide/web-evangelism.html

9. Sirach 51:13, 14 The New American Bible.

10. Jeremiah 7:3-11; 31:31-34.

11. Mark Strom, Reframing Paul: Conversations in Grace and Community (Downers Grove, IL: InterVarsity Press, 2000) p. 187, 196, 197.

12. Gordon D. Fee Paul, the Spirit, and the People of God (Peabody, Massachusetts: Hendrickson Publishers, 1996) p. 88.

13. Revelation 2:23, AMP.

14. Isaiah 50:11, AMP.

15. Wisdom XIV:12, Apocrypha.

16. John 3:6, NIV.

17. Brewster Ghiselin, The Creative Process (New York: Mentor Books, 1955) p. 155.

18. II Corinthians 7:10, AMP.

19. Colossians 2:18, AMP.

20. Austin E. Grigg, "Emotion," Encyclopedia Americana, 1990 ed., X, p. 309.

21. Thomas Hohstadt, I Felt God . . . I Think: Authentic Passion in the 21st Century (Odessa, TX: Damah Media, 2001).

22. Hebrews 11:1, AMP (my parentheses).

23. Carl Jung, quoted in Brewster Ghiselin, The Creative Process (New York: Mentor Books, 1955) p. 216.



Future Church Administrator